| 2010 Top Summer Reads for Middle Grade and | | | | no escape. As he says, "We were always together." |
| Young Adult | | | | When their father sets a course for Bermuda and |
| Brennan, Sarah Rees. Demon's Lexicon. Simon & | | | | disappears overboard one night, the boys have little |
| Schuster Children's Publishing/Margaret K. McElderry. | | | | time to wonder if he jumped or fell before they're |
| 2009. | | | | struggling to stay afloat in a fierce Atlantic storm. Lost |
| From School Library Journal | | | | at sea in a damaged boat, they find their way to an |
| Starred Review. Grade 9 Up–In this riveting debut | | | | island where they are stranded with little food, little |
| novel, 16-year-old Nick and his older brother, Alan, are | | | | water, and little hope of rescue. Herlong's first book is |
| accustomed to life on the run. Since their father was | | | | a great survival story and a fine portrayal of family |
| murdered, the boys have been forced to slay demons | | | | relationships in a time of crisis. Justifiably angry, yet |
| set on them by magicians seeking the powerful charm | | | | logical, reflective, and at times compassionate, Ben |
| stolen by the boys' mother. Nick is furious when Alan | | | | makes a sympathetic protagonist, and his brothers are |
| receives a first-tier demon mark while saving a | | | | no less appealing. With enough detail to make the |
| neighborhood boy. While seeking to remove it, Nick | | | | settings real and a minimum of metaphor, the |
| begins to suspect that his brother is lying to him about | | | | first-person narrative is clean and direct. This |
| the reason for the magicians' attempts to kill them and | | | | page-turner of an adventure story is also a convincing, |
| about why their mother screams whenever Nick | | | | compelling, and ultimately moving novel. Grades 6-10. |
| touches her. Fans of the Supernatural television series | | | | –Carolyn Phelan |
| will be hooked from the novel's opening lines (The pipe | | | | ___________________________________ |
| under the sink was leaking again. It wouldn't have been | | | | Berryhill, Shane. Chance Fortune in the Shadow Zone. |
| so bad, except that Nick kept his favorite sword under | | | | Starscape. 2009 |
| the sink.). Even teens who don't consider themselves | | | | From Publishers Weekly |
| genre buffs will appreciate the solid writing, fast-paced | | | | Readers weary of Potter-esque fantasy but hungry |
| plot, and sense of authenticity that Brennan gives to | | | | for another semi-humorous / semi-serious school |
| the shadowy world between ordinary, modern-day | | | | setting, and lovers of superhero stories in general, will |
| London and the otherworld of demons and magicians. | | | | delight in this first volume in the Adventures of Chance |
| Though Nick and Alan's story is mostly resolved with | | | | Fortune series, ideally structured for many further |
| Nick discovering the truth behind his father's death and | | | | adventures. |
| his mother's fear of him, readers will no doubt clamor | | | | Â From VOYA |
| for the next book in this planned urban fantasy | | | | Berryhill's debut novel kicks off an engrossing series, |
| trilogy.–Leah J. Sparks, formerly at Bowie Public | | | | The Adventures of Chance Fortune, that takes |
| Library, MD | | | | formulas both old and new and gives them a zippy |
|  | | | | twist…. A lively and engrossing tale that neither takes |
| Brown, Mary Calhoun. There Are No Words. Lucky | | | | itself too seriously nor underestimates its |
| Press. 2010 | | | | readers….Here's hoping Berryhill has several series |
| From Midwest Book Review | | | | entries ready to go. |
| The most terrifying future is a future you cannot | | | | __________________________________ |
| change. "There Are No Words" tells the story of a | | | | Ecton, Emily. Night of the Living Lawn Ornaments. |
| mute girl who finds herself with a voice, but sent back | | | | Aladdin. 2009 |
| decades ago. With the knowledge of a train wreck | | | | From TeensReadToo(dot)com |
| that will kill one of her grandfather's friends, Jaxon | | | | When Arlie woke up that morning, she had no idea |
| MacKenzie finds herself in a time before said accident. | | | | that her life would be turned upside down in a matter |
| But a twelve year old girl can't do much to stop a | | | | of minutes. Arlie's mom had given some of her toys to |
| government train…can she? "There Are No Words" | | | | their neighbor, Cookie. When Arlie stepped outside, she |
| is a charming story of determination and friendship, | | | | saw Cookie removing the inner workings of her old |
| highly recommended. | | | | orange kangaroo Fred's head. Arlie snatched it from |
| Â From Feathered Quill: 5 Stars | | | | her and ran, only to run over Tina's friend, Bethany |
| There Are No Words is narrated by Jaxon, a | | | | Burgess, ruining her new white capris. |
| 12-year-old girl with autism who lives with her | | | | She couldn't stop, so she ran past a very surprised Ty |
| grandparents. Though she shares with the reader that | | | | and ended up in a tree near Mrs. Wombat's house. Ty |
| she cannot speak and describes her intense reactions | | | | showed up a few minutes later and ends up in the |
| to sound and touch, this is not really a book about | | | | tree with Arlie. |
| autism. It is an adventure whose protagonist happens | | | | While in the tree, Arlie finds a black dragonfly pendant |
| to be autistic. | | | | and that's when the craziness really takes off. The |
|  Jaxon also proves to be a strong, quick-thinking girl | | | | pendant turns out to have an odd power – it turns |
| with a crush on a black boy and a friend who, in 1918, | | | | inanimate objects into living, breathing things. Pretty |
| likes to wear boys' pants and shoes under her | | | | soon lawn ornaments and other objects all over town |
| dresses. Author Mary Calhoun Brown defies many | | | | are awake and wandering around. Arlie, Ty, and Mr. |
| stereotypes. Teachers and parents looking for a book | | | | Boots have their work cut out for them trying to get |
| with strong female characters or gentle, nurturing men | | | | everything back to normal. |
| will find them here. The book also promotes | | | | I found NIGHT OF THE LIVING LAWN ORNAMENTS |
| awareness of autism without presenting it as a | | | | to be even funnier than her last book, BOOTS AND |
| problem to be overcome. In fact the main problem | | | | PIECES. The characters were engaging and hilarious. |
| from Jaxon's point of view is that other people do not | | | | Kids, teens, and even adults will laugh out loud while |
| understand autism and treat her as though she is | | | | reading this book. -Reviewed by: Breia "The Brain" |
| stupid or, to use her word, unworthy. | | | | Brickey |
| We see the world through the eyes of someone who | | | | _______________________________ |
| is extremely sensitive to touch and to sounds. Jaxon | | | | Â Napoli, Donna Jo. Alligator Bayou. Random House / |
| also pays close attention to details and colors. The | | | | Knopf. 2009 |
| descriptions of the world around her– the feel of | | | | From School Library Journal |
| the carpet, the sounds of the rain– are peaceful and | | | | Grade 8 Up—Building on her extensive research |
| poetic. Jaxon, who has much difficulty communicating | | | | conducted after reading a newspaper article about the |
| with others, including her own mother, is still able to | | | | lynching of Sicilian grocers in Tallulah, LA, in 1899, Napoli |
| paint for us beautiful images of the world as she sees | | | | presents a moving, sobering story about an aspect of |
| it. | | | | American immigration that is probably unknown to |
| When Jaxon is magically transported through a painting | | | | most readers. After his mother's death, 14-year-old |
| and back in time, she finds that she is able to speak. In | | | | Calogero leaves his bustling Sicilian home for the |
| fact she seems to have no trouble communicating | | | | sleepy southern town to help his uncles and younger |
| whatsoever and to be unusually good at intuiting the | | | | cousin run their grocery store. White customers |
| feelings of others. In Tennessee in 1918 Jaxon's autism | | | | expect to be served before blacks and make their |
| is not a problem, but she soon discovers that racism, | | | | displeasure angrily apparent when the Sicilians fail to |
| an issue that she had been unaware of before her | | | | do so. Barred from the white school and unaware that |
| time-travel adventure, is a huge one. | | | | he can attend the black school, Calogero learns English |
| There Are No Words is a quick read with thoroughly | | | | from a tutor who also tries to help him comprehend |
| likable characters. The relationships between the | | | | Southern American behavior. The cousins meet some |
| characters are sweet while still being very real. | | | | African American boys who take them on a terrifying |
| Readers will be inspired by the patience of Jaxon's | | | | alligator hunt that firmly cements their friendship. |
| grandparents and the kindness of her friends. | | | | Calogero is attracted to Patricia, a African American |
| Quill says: A dream-like adventure that reads like | | | | girl, but fails to fully understand the danger behind her |
| poetry while challenging stereotypes | | | | fear of being seen in public with him. Although he has |
| ___________________________________ | | | | heard his uncles' stories of the recent lynching of |
| Â Â Griffin, Paul. The Orange Houses. Penguin/Dian | | | | Sicilians in New Orleans, he is unprepared for the |
| Books. 2009. | | | | horrifying tragedy that befalls his family when a local |
| Â From Booklist: | | | | white doctor kills Uncle Francesco's goats and then |
| *Starred Review* Much like Rita Williams-Garcia's | | | | convinces an angry mob that the Sicilians plan to |
| Jumped (2009), this story follows three kids through | | | | retaliate violently. Historical events are smoothly |
| the pressure cooker of inner-city teenage life as it | | | | integrated with vivid everyday details, strong |
| moves toward its crushing conclusion. Whereas that | | | | characterizations, and genuine-sounding dialogue. |
| book mined the minor humiliations and overblown | | | | Ultimately, the author expands her themes beyond the |
| dramas that swirl during a single school day, this has a | | | | story's specifics, encouraging readers to reconsider the |
| much more diffuse scope. The three characters | | | | motivations behind this calamity and other |
| couldn't be any more different: Tamika Sykes is a | | | | manifestations of racism.—Ginny Gustin, Sonoma |
| partially deaf student agonizing over whether she really | | | | County Library System, Santa Rosa, CA |
| wants to hear all the noise surrounding her; Fatima | | | | _________________________________ |
| Espérer is a 16-year-old refugee who fled the | | | | Tubb, Kristin O'Donnell. Autumn Winifred Oliver Does |
| violence and poverty of her unspecified African | | | | Things Different. Yearling. 2010. |
| country to live in the shadow of the Statue of Liberty; | | | | From Booklist: |
| and depending on who you ask, Jimmy Sixes, already | | | | In1934, spunky 11-year-old Autumn Winifred Oliver lives |
| a disturbed veteran at age 18, is either a street poet or | | | | in picaresque Cades Cove, deep in the Great Smoky |
| a junkie. The three form an unusual friendship, | | | | Mountains. Her crusty Grandpa is involved in a federal |
| connecting both artistically and emotionally. All this is set | | | | plan to convert the surrounding land into a national park, |
| in a city that has become a powder keg of | | | | which would allow the locals to cash in on the |
| anti-immigration sentiment (thanks to a recently passed | | | | anticipated tourism. But after Autumn realizes that the |
| law that rewards citizens for reporting illegals) and is | | | | government is actually plotting to level Cades Cove, |
| perilously close to the ever-present spark of gang | | | | she tries everything in her power to stop the |
| violence. Griffin clearly knows teens, especially the | | | | destruction. She writes a letter to Mr. John D. |
| way they speak. In another writer's hands, this story of | | | | Rockefeller, requesting that he withdraw his funding, |
| three outcasts might have turned into a sentimental | | | | and she even turns her flatulent bloodhound loose on a |
| mess, but he keeps the depth of emotion honest as | | | | group of park builders. While the eventual compromise |
| his characters battle alienation and find strength in | | | | is not entirely pleasing to either side, Autumn is satisfied |
| sacrifice. Although readers will be prepared for an | | | | that she did her best to keep her precious holler "as |
| unnerving journey from the opening scene, they will | | | | durn near perfect as possible." Tubb's inventive heroine |
| nevertheless be floored by some of the turns in this | | | | comes across as a female version of familiar |
| swift, tense, and powerful book. Grades 10-12. –Ian | | | | characters, such as Gary Paulsen's Harris or Robert |
| Chipman | | | | Newton Peck's Soup. This homespun tale, full of folksy |
| __________________________________ | | | | humor and based on historical fact, will appeal to young |
| Â Reisman, Michael. Simon Bloom and the Octopus | | | | fans of Deborah Wiles' and Ruth White's books. |
| Effect. Dutton Juvenile. 2009. | | | | Grades 4-6. –Jennifer Hubert |
| Â From Audiofile: | | | | |
| Nicholas Hormann narrates Simon Bloom's third | | | | Small, David. Stitches: A Memoir. W.W. Norton & |
| fantastical adventure as the 12-year-old explores the | | | | Co. 2009. |
| Order of Biology, an undersea world of strange | | | | From Publishers Weekly |
| creatures. Hormann meets the challenge of a large | | | | Starred Review. In this profound and moving memoir, |
| cast of characters and multiple settings with an | | | | Small, an award-winning children's book illustrator, uses |
| abundance of accents that differentiate and add color. | | | | his drawings to depict the consciousness of a young |
| He characterizes the story's omniscient narrator with | | | | boy. The story starts when the narrator is six years |
| crisp British enunciation that matches his detached | | | | old and follows him into adulthood, with most of the |
| view and depicts a sea creature with gurgles. He | | | | story spent during his early adolescence. The youngest |
| portrays the passionate director of the underwater | | | | member of a silent and unhappy family, David is |
| realm with drama. When Simon and friends are | | | | subjected to repeated x-rays to monitor sinus |
| enriched with octopus DNA, they develop special | | | | problems. When he develops cancer as a result of this |
| powers that are especially helpful when they confront | | | | procedure, he is operated on without being told what is |
| their archenemy, Sirabetta. Hormann embraces the | | | | wrong with him. The operation results in the loss of his |
| story's inventive spirit, leading listeners through | | | | voice, cutting him off even further from the world |
| adventure and intrigue. | | | | around him. Small's black and white pen and ink |
| ___________________________________ | | | | drawings are endlessly perceptive as they portray the |
| Â Herlong, M.H. The Great Wide Sea. Penguin/Viking. | | | | layering of dream and imagination onto the real-life |
| 2008. | | | | experiences of the young boy. Small's intuitive |
| Â From Booklist: | | | | morphing of images, as with the terrible postsurgery |
| *Starred Review* Soon after their mother's death, | | | | scar on the main character's throat that becomes a |
| 15-year-old Ben and his two younger brothers are | | | | dark staircase climbed by his mother, provide deep |
| stunned when their father sells their home, buys a | | | | emotional echoes. Some understanding is gained as |
| sailboat, and announces that they will live on board and | | | | family secrets are unearthed, but for the most part |
| cruise the Bahamas for the next year. Wrenched from | | | | David fends for himself in a family that is |
| everything he knows and forced to obey his | | | | uncommunicative to a truly ghastly degree. Small tells |
| father-captain's orders, Ben starts out angry and finds | | | | his story with haunting subtlety and power. |